CHRISTMAS music is piping
through the downtown air
days after the flooding,
many half-blocked streets recently re-oiled,
people sleeping
under the awnings of buildings,
mud-ruined sleeping bags
tossed on corners
beside bunches
of rental scooters.
Apartment residents come out of doors
with dogs on leashes,
walk past corners and windows,
fences, scaffolds, boarded-up buildings--
which
are flood repair,
which new construction?
There’s no way to tell.
Dirt and buildings aren’t opposites,
reflect each other in different conditions,
flood leads to commerce,
commerce creates new
pathways for flooding
motion tuned for profit
treats itself as the foreground
of its own rubbish,
tosses people like rubbish
or puts them to work,
pillows and backpacks on sidewalks,
hard hats on heads.
Come use me, the Christmas
music pipes,
surround yourselves with the things I make
and you will know
yourselves in me,
vast playground of dirt and in it,
fortress of dollars, perpetual spinning
Rows of lightshows
tease the mind
to let us know
which parts of ourselves
to value, which parts
to throw out.
Mark Wallace lives in San Diego, where since 2005 he has been working on a multi-part long poem exploring the psychogeography of southern California, The End of America, sections of which have been published in a number of journals and books and chapbooks, most recently The End of America 8 (Glovebox Books, 2023). He is the author of many other books of poetry, including Notes from the Center on Public Policy (2014) and Felonies of Illusion (2008), as well as several books of fiction, including the novels Crab (2017) and The Quarry and the Lot (2011).